How can rap music affect people

Published: April 23, By Ryan Hill. Music continues to be one of the most recognizable and influential elements of society. For thousands of years, music has brought people together and evoked emotions and feelings. It can bring you back to a certain place in time and transport you to a memory that feels so real you swear you are experiencing it for the first time. No matter where you go in the world, people connect and interact with music, no language needed.

You do not need to understand the words in a song or have any words at all to enjoy it. Research shows that music is recognized by infants in the womb, and if that is not a display of the power music has on humans, nothing is.

Whether young or old, black or white, everyone knows someone who has a connection with rap. The various sub-genres and categories that make this music different as well as the wide variety of artists who share this music to the world, have helped make this a staple in society these days. But is it spreading a positive message to those who listen? Are there behavioural changes from those involved in this music?

Before those questions are answered or even discussed, learning the history of rap music will allow for a better understanding of what it is today. Rap music began in the early s in the United States as a mix of disco and funk at clubs and other music spots. The DJs would generally speak over or after the songs and incorporate the crowd to get a better reaction from the music. Soon the spoken lyrics were rhymed throughout the songs which energized the audience. The music first had a disco and crowd-oriented vibe that allowed all who listened to get involved.

The Sugarhill Gang were the founding fathers of rap and really became popular because their style and beat had never been heard before. As the s began, rap became more of a personalized style that strayed from disco and changed to have more of a hip hop feel. Run-DMC was the first rap group to really hit on a mainstream platform in this different style.

In a new group named NWA came onto the scene and they exploded, achieving platinum album status when they sold over 3. Since then, rap has experienced more changes in sub-genre and has also gained popularity and mainstream attention virtually every year since thanks to the advancements of social media which allowed fans to connect with their favourite artists, such as Kanye West, Drake and Eminem, in a way they never could before.

For whatever reason, this sub-genre of rap has spread like wildfire among youth and young adults and is one of the most popular and influential styles of music to date. I would probably say he is my favourite and he opened me up to rap.

In reviewing more than five decades worth of research, Potter extended cultivation theory to determine the following effects of exposure to media violence:. Exposure to violent portrayals in the media can lead to subsequent viewer aggression through disinhibition.

Media violence is related to subsequent violence in society. Exposure to violence in the media can lead to desensitization. In turn, Dr. The RAP Scale contains three constructs: empowerment, artistic aesthetics and violent misogynistic. Using a meta-analysis approach, Timmerman et. Adams, T. The words have changed but the ideology remains the same: Misogynistic lyrics in rap music.

Journal of Black Studies, 36, — Armstrong, E. Gansta misogyny: A content analysis of the portrayals of violence against women in rap music, Journal of Criminal Justice and Popular Culture, 8 2 , Baran, S.

Mass communication theory: Foundation, ferment, and future 4th ed. Belmont, CA: Thompson Wadsworth. Barongan, C. The influence of misogynous rap music on sexual aggression against women.

Psychology of Women Quarterly, 19, — Bretthauer, B. A feminist analysis of popular music: Power over, objectification of, and violence against women. Journal of Feminist Family Therapy, 18 4 , Cobb, M. Ambivalent sexism and misogynistic rap music: Does exposure to Eminem increase sexism?

Journal of Applied Social Psychology, 37 12 , Dixon, T. Self-esteem, misogyny and afrocentricity: An examination of the relationship between rap music consumption and African American perceptions.

Gan, S. Basic and Applied Social Psychology, 19, Gerbner, G. Growing up with television: The cultivation perspective.

Zillman Eds. Hillsdale, NJ: Erlbaum. Get the facts: The facts on domestic, dating and sexual violence. Gourdine, R. Perceptions of misogyny in hip hop and rap: What do the youths think? Journal of Human Behavior in the Social Environment, 21, Johnson, J. Violent attitudes and deferred academic aspirations: Deleterious effects of exposure to rap music. Martino, S. Exposure to degrading versus nondegrading music lyrics and sexual behavior among youth.

Pediatrics, 2 , Nettleton, P. Pardun, C. Prushank, D. Masculinities in teen magazines: The good, the bad, and the ugly. Rosenberry, J. Applied Mass Communication Theory. A Guide for Media Practitioners. Russo, N. Related Documents Macklemore Hip Hop Analysis Hip-hop is a historically black genre of music, with different iterations almost everywhere in the world now.

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